Erosion: 40th Post

Flowers starting to wilt sm

THE WOMAN WHO FELL INTO DISREPAIR

forgets that parts of her
are missing
that other parts once
angled for attention

she took time
as if it couldn’t be bent, flattened, eliminated, reordered
and effort
as if it was matter
as if it mattered
as if it could be compressed or exploded, colored in, Photoshopped out
with her everywhere,
twin burdens slung from a yoke

she ignored the warnings all around
the flags, sirens, scars, flashing
beacons, allergic reactions, slaps on the
cheek, fullness, emptiness, the color red,
the lack of color

she had let it go let it all go let it go let the cells
puff up or fall where they would into the cracks in her arms and legs
over the dents in her lips through the tunnels in her scalp
into the empty spaces she’d forgotten

a landfill of woman
a historical dustbin
an entire lost tribe
too remote and ugly to signify

Third Post

DSC01222 cr

 

This poem, like the one in my First Post, appeared in Phoebe: A Journal of Literary Arts (Vol. 24, No. 2). Phoebe has a new name these days, Phoebe: A Journal of Literature and Art, and it appears once annually in print and once online.

 

The Woman Who Gave Up Thinking

Listened carefully
to everyone.

She understood
how a bracelet of words
could be clasped
to form a sentence.

How the gaps
between someone’s sentences
were to allow for the indentations
of paragraphs.

She saw the forms
of others’ ideas
like a child’s alphabet blocks
heaped one on the other.

Turned around
they became tiny animals.

In the silences
there was enough else.

Years passed.